Senin, 12 Januari 2009

More reader-submitted tattoos

Dear Readers,

Thank you so much for putting up with my laziness and still sending me photos of terrible, awful, no good tattoos. Thanks to you I have three new beauties to show today!

Love,
Alice

The first tattoo that I have for you all is a chest piece.

Now, I know chest tattoos can be tricky to get right. Mine is not all that great (I might be getting it redone soon). It can be the best looking spot or the most awkward looking spot, and, unfortunately, this one just looks awkward. The great reader who emailed me this photo said that it looks like a Lisa Frank tattoo, and she is so right! I am not sure what is going on inside the heart- is that a landscape of some kind? The waves look awkward and the stars over them are superfluous, not to mention the weird swirls on the bottom.
One good thing is that the execution looks decent enough, although how gross is it that they didn't use a paper towel to cover her up? All the ink and goo has seeped into her shirt!

This next one is pretty small, but worth looking at all the same:

A heart with crossbones is a cute idea, and the little line stars are traditional and can be good filler on some tattoos, but jeeeeez louise what is going on with the black shading? And the linework looks so sharp it makes me wince just to look at it!

This one was submitted by the same reader, and may be from the same artist:

Again, the linework is beyond awful. The composition is beyond awful. And is the princesses name Reesie?
I must admit I do kind of like the awkward little bumblebees though, as terrible as they are.

If you have a terrible tattoo to share with me, don't hesitate to email!

THE FLOWER KINGS - The Sum of No Evil (VBR)

Sweden played a crucial part in the progressive rock revival of the 1990s, but amid dark-sounding King Crimson-influenced bands like Anekdoten and Anglagard, the positive-thinking Yes-enlightened act the Flower Kings felt almost out of place. Yet, the Flower Kings became, along with the American Spock's Beard, the '90s prog rock band with the largest fan base, the biggest sales, and the widest international appeal.
The Flower Kings came to life in August 1994, but retrospectively, their first album came out before their inception. That year, guitarist/singer/composer Roine Stolt, who enjoyed relative European fame in the 1970s as a member of the Swedish progressive rock band Kaipa, brought together ex-Jonas Hellborg drummer Jaime Salazar and ex-Samla Mammas Manna percussionist Hans Bruniusson to record a solo album, The Flower King. Stolt's music was graced by a Jon Anderson-like aura and combined complex structures with catchy heartfelt melodies, and the prog fans welcomed the album with open arms. Roine brought in brother Michael Stolt (bass, vocals) and longtime friend Tomas Bodin (keyboards) to perform the material live, and thus the Flower Kings were born and The Flower King, the album, is now usually perceived as the band's first.
-- by François Couture, allmusic.com

Tracks
1. One More Time
2. Love is the Only Answer
3. Trading My Soul
4. The Sum of No Reason
5. Flight 999 Brimstone Air
6. Life in Motion

..year - 2.007
..label - Inside Out Music
..buy - Amazon
..home page - www.flowerkings.se/

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Rabu, 31 Desember 2008

OVERKILL - Immortalis (VBR)

Unlike other veteran metal acts whose dedication to the genre peters out as the years rack up, Overkill remain dedicated to continuing on in their original direction, as evidenced by their 15th album overall, 2007's Immortalis. Trends may come and go, but you know that Overkill are always good for supplying some good old-fashioned crunchy thrash metal, and that's something you've got to respect. And all these years later, singer Bobby "Blitz" Ellsworth can still screech with the best of them. For old-school thrash metal, Immortalis is a true exhibition, as evidenced by such hard-hitters as the album-opening "Devils in the Mist" as well as "Shadow of a Doubt" and "Skull and Bones," the latter of which features Lamb of God's Randy Blythe guesting on vocals (who does his best drill instructor impersonation). All these years later, you still know what's in store each time you pick up a new release by Overkill. And that's just the way their fans like it -- Immortalis is no different. -- by Greg Prato, allmusic.com

Tracks
1. Devils in the Mist
2. What It Takes
3. Skull and Bones
4. Shadow of a Doubt
5. Hellish Pride
6. Walk Through Fire
7. Head On
8. Chalie Get Your Gun
9. Hell Is
10. Overkill V...The Brand

..year - 2.007
..label - Bodog Music
..buy - Amazon
..home page - www.wreckingcrew.com/

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MOTÖRHEAD - Motörizer (VBR)

Even if Motörhead had broken up around 1983 or 1984, they still would have gone down in history as one of the most influential metal outfits of all time. Motörhead, after all, was the first metal band to seriously incorporate punk; they wrote the book on thrash metal and speed metal in the late '70s and early '80s, paving the way for Slayer, Metallica, Venom, Megadeth, Testament, Anthrax, Death, Exodus, and countless others. But Motörhead, of course, didn't break up in 1983 or 1984, and they were still cranking out quality albums in the late 2000s. Lemmy Kilmister (who turned 62 in 2007) shows no signs of slowing down on 2008's Motorizer, which Cameron Webb produced at Dave Grohl's 606 Studios in Los Angeles. Despite the fact that Webb has worked with a lot of alt rock and alt metal artists (including Limp Bizkit, Orgy, Godsmack, Buckcherry, Lit, Ben Folds, and Monster Magnet) and produced this 39-minute CD in a studio that is owned by a member of the Foo Fighters and ex-member of Nirvana, Motorizer makes no effort to be alternative-sounding. Instead, the classic Motörhead sound prevails, and forceful, in-your-face tracks such as "Buried Alive," "Runaround Man," "When the Eagle Screams," and "Time Is Right" sound like they could have been recorded 25 years earlier. Motorizer never pretends to be groundbreaking, but if the material is predictable, it is engagingly predictable; Kilmister sounds inspired and focused throughout the album, and at 62, he has yet to overstay his welcome. Motorizer falls short of essential and isn't quite in a class with Motörhead's best late-'70s/early-'80s output, but this album is definitely respectable — and it is good to see this seminal thrash/speed trio still plugging away after so many years in metal's trenches.-- by Alex Henderson, allmusic.com

Tracks
1. Runaround Man
2. Teach You How to Sing the Blues
3. When the Eagle Screams
4. Rock Out
5. One Short Life
6. Buried Alive
7. English Rose
8. Back on the Chain
9. Heroes
10. Time is Right
11. The Thousand Names of God

..year - 2.008
..label - Steamhammer/SPV
..buy - CD Universe
..home page - www.imotorhead.com

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GIRLSCHOOL - King Biscuit Flower Hour Girlschool (VBR)

Recorded in Nashville, Tennessee on January 12, 1984, King Biscuit Flower Hour: In Concert finds Girlschool in the midst of their transition from the sort of female-biker punk-metal that made them Motorhead's soul sisters, to a more commercialized pop-metal sound. The trade-off wasn't the total disaster some fans thought, though -- the material on albums like Play Dirty, which directly preceded this concert, demanded more polished musical skills, even if it toned down their earlier raucous energy somewhat. That's the crossroads Girlschool is at here, and it's an interesting one for devoted fans.-- by Steve Huey, allmusic.com

Tracks
1. Screaming Blue Murder
2. Play Dirty
3. You Got Me
4. Hit and Run
5. Nothing to Lose
6. Future Flash
7. Running for Cover
8. Burning in the Heat
9. Demolition Boys
10. Tush
11. Like It Like That
12. C'mon Let's Go
13. Emergency
14. 20th Century Boy
15. Race With the Devil

..year - 1.997
..label - King Biscuit Flower Hour Records
..buy - Amazon.com
..home page - www.girlschool.co.uk/

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GLENN HUGHES - Music For the Divine (VBR)

Glenn Hughes has always seemed to surround himself with the greatest guitarists and drummers of rock, including Ritchie Blackmore, Tommy Bolin, Ian Paice, Tony Iommi, and Kenny Aronoff. And on his 2006 solo outing, Music for the Divine, the string of strong supporting players remains intact, as Hughes is joined by a pair of current Red Hot Chili Peppers -- guitarist John Frusciante and drummer Chad Smith -- and an ex-Pepper, Mr. Hollywood himself, Dave Navarro. Music certainly has a funkier edge than, say, the last few releases Hughes has collaborated on with Iommi, but this should certainly not come as a surprise to longtime fans, as his funk roots trace all the way back to his Deep Purple-era releases. Arguably, he has not played alongside musicians as fluent with the funk as his fellow travelers here, especially on the leadoff single, "The Valiant Denial," which rocks and slithers the way only a Peppers groove can. The funk continues on such selections as "Monkey Man," but just when you think you have it all figured out, Hughes and company hand in a surprise reading of, um, "Nights in White Satin." All in all, Music for the Divine is another fine release from one of rock's great (and criminally underrated) voices. -- by Greg Prato, allmusic.com

Tracks
1. The Valiant Denial
2. Steppin' On
3. Monkey Mad
4. This House
5. You Got Soul
6. Frail
7. Black night
8. Too High
9. This is How I Feel
10. The Divine

..year - 2.006
..label - Frontiers Records
..buy - Amazon
..home page - www.glenhughes.com

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A.C.T. - Today's Report (VBR)

The beginnings of A.C.T. were in 1994 when Ola Andersson, Jerry Sahlin, Thomas Erlandsson, and Jens Appelgren formed the group Fairyland. By 1996, after several lineup changes and a name change, they recorded their first demo. After a tour supporting Yngwie Malmsteen and another demo, the group was ready to record an album. Today's Report was released in 1999. They followed up that release with Imaginary Friends.

Tracks
1. Abandoned World
2. The Wandering
3. Waltz with Mother Nature
4. Why Bother
5. Today's Report
6. Welcome
7. Cat Eyes
8. The Chase Personalities (The Long One)
9. Foreplay
10. Piece of Meat
11. Tinnitus
12. Lord of Lies
13. Emelie (Ms. Amnesia)
14. Insomniac
15. Concluding Speech
16. Grandpa Phone Home
17. New Age Polka

..year - 2.005
..label - Atenzia Records
..buy - n/a
..home page - n/a

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